Post 16: How much cork grease do I really need?

We receive clarinets and oboes here at Onks Woodwind all the time that have massive amounts of cork grease build up on the tenons.  Too much cork grease can be a problem when it oozes up onto the body and gets into the keywork or pads.  We also find the cork grease gets on the students’ hands which, in turn, gets all over the instrument and is never cleaned.  So here are a few guidelines for cork grease and your clarinet or oboe:

  • Always clean tenons first before applying new cork grease.  Cork grease attracts dust and dirt which is an abrasive.  Adding cork grease on top of old cork grease, dust and dirt will actually make the instrument harder to assemble.  You can clean the tenons with a plain, dry paper towel from your kitchen.
  • After cleaning, check the tenons first before applying new cork grease to see if you even need cork grease.  Here at Onks Woodwind we really strive to fit tenon corks as perfectly as possible, which most of the time eliminates the need for cork grease.
  • It is not necessary to apply cork grease to your instrument every time you assemble your instrument!
  • After cleaning and checking and if in fact you do need cork grease, apply as sparingly as possible.  When I apply cork grease, I put a little on my finger and wipe the cork grease onto the cork.  I do not apply directly from the cork grease container, you will apply too much this way!  When you are finished applying the cork grease and you can see it on the cork, you have applied too much!  You should not be able to see the cork grease on the cork after it has been applied.  

What kind of cork grease should you use?  Stay away from petroleum-based cork grease!  If you are in doubt, do not purchase.  If you are in a music store look for cork grease that is labeled synthetic.  

  As always if you have any questions don’t hesitate to contact us!  

 

Post 15: Oboe Adjustment? or Cleaning?

When it comes to maintaining your oboe, there are a couple of things to consider and a couple terms we use at Onks Woodwind, adjustment and cleaning.  Those of you that play oboe know there are a lot of adjustment screws on an oboe.  These screws are used to change the relationship between different keys, which ultimately make the oboe play well, or not.  Performing a basic adjustment on an oboe shouldn’t take very long, which is why I usually do not charge for that service.  Wait,  what?  Basic adjustments are needed throughout the year to keep your oboe in playing condition, so find someone you can trust and become their friend.  Who should be able to perform a basic adjustment?  Most repair shops, even if they don’t specialize in oboe, should be able to perform a basic adjustment.  If you are a professional oboist, you should be able to perform basic adjustments.  If you are a college student with aspirations of becoming a professional oboist, you should be learning how to perform basic adjustments. I first started learning when I was a freshman in college from Mr. Sawicki’s oboe adjustment guide.  

This is where it gets a little tricky.  For an oboe to perform at its best, all pads must be level or covering the tone holes as perfectly as possible.  If a pad is leaking there is no amount of “adjusting” that will make the oboe play better.  Because of this, performing a basic adjustment, many times, will not do justice for the oboe.  At Onks Woodwind we recommend that you have a yearly cleaning, especially if you are a professional player.  During the course of a year of heavy oboe playing, pads compress and adjustment corks wear out.  Standing moisture collects dust over time from the environment and from swabbing, tone holes must be cleaned.  (See one of my previous posts for pictures.)  Oil deteriorates and keys become sluggish, other things like bent keys, rust, loose posts and keys are always possible.  These are just a few common things that happen over time to your oboe.   For many professionals that record in studios, it is essential that the oboe mechanism be quiet and to achieve this, the mechanism must be serviced regularly.  A full cleaning and set-up at Onks Woodwind includes a complete disassembly of the oboe.  All tone holes are cleaned and octave vents re-sealed.  All hinge tubes, rods and posts are cleaned with solvent to remove old oil, dust, dirt, and/or tarnish and corrosion.  Tenons are checked for wobbling and tenon corks are replaced if necessary (note, if tenon wobble is severe, a larger tenon cork will not fix the problem. Other repair methods must be used.)  During re-assembly, all pads are checked individually for levelness and replaced, if necessary, as well as all adjustment corks are checked and replaced, if necessary.  After all pads are as level as possible, that is when all adjustments are made to the adjusting screws.  Keeping an oboe in tip top shape requires more than an “adjustment”.  If you have never had a full cleaning and set-up, you will be amazed at what you have been missing.  Many clients make comments like, “It wasn’t my reeds!”  “Now I can actually play with ease.”  Playing oboe has enough challenges and variables that are not easily controlled, but you can control the maintenance of your instrument.

Onks Woodwind schedules all repairs!  You will know when to ship your oboe, when the oboe will be repaired, and when your oboe will return to you.  Contact us to change your oboe world.

Post 13: Soaking Oboe Reeds

To get the most out of your oboe reed you should always soak it in warm water!  Soaking your reed in warm water for a couple of minutes will revive the reed, or moisten the reed fibers, faster and more efficiently.  If you do not soak your reed in warm water, you can get a reed that doesn’t respond well and/or plays out of tune.  You can soak your reed in cooler water, but the soaking process takes much longer and, in my opinion, never really “wakes the reed up” like soaking in warm water.  Trying to soak your reed in your mouth is never a good option.

Post 12: Complete Mechanical Overhaul with Key and Post Plating

This oboe is a very old Loree that I was able to bring back to life through the process of overhauling.  Not only did all pads and corks get replaced, but I also sent the keys and posts off to get re-plated.  I fit all the keys so they would be tight on the rods and between the posts.  I also oversized several rods and filled/re-drilled many posts so the rods would be secure in the posts and the keys.  This project took about five days to complete, but is so worth it in the end to see an old oboe revived and another satisfied customer.  -Jason

Oboe stripped of keys and posts!

Oboe stripped of keys and posts!

 

Freshly overhauled with new key and posts plating!

Freshly overhauled with new key and post plating!

Post 11: World Premier by Nashville’s very own Roger Wiesmeyer!

World Premiere of John Marvin Work in ALIAS Winter Concert

ALIAS has developed a reputation for championing new music. In its first 10 seasons, ALIAS Chamber Ensemble has performed over a dozen World Premieres. On its Winter Concert (February 16, 2013 – 8:00 PM – Turner Hall, Blair School of Music, Vanderbilt University), the ensemble unveils another new work, this one by composer John Marvin.

The Sonata for oboe and piano will be premiered by oboist Roger Wiesmeyer, a much–loved figure in Nashville’s music scene.

Also on the program are two string quartets, by Johannes Brahms and John Zorn, written over 100 years apart. The Brahms quartet, his first, stands as one of the great monuments in the genre. The Zorn, titled “Cat o’ Nine Tails”, is an energetic, ever-changing romp. “Putting these two string quartets on the same program shows the versatility of this combination of instruments, ALIAS Artistic Director Zeneba Bowers says. “Brahms’ music is lush and romantic; the Zorn is schizophrenic, very reminiscent of Carl Stalling’s cartoon music. The range of character on display in both pieces is astounding.”

Bowers will also be playing Henry Cowell’s “Homage to Iran”. She, along with Wiesmeyer (on piano) and percussionist magus Chris Norton, played the Persian-inspired work on ALIAS Chamber Ensemble’s debut concert eleven years ago.

The concert’s benefit partner is Park Center.

Click here for Alias website.